Happy Halloween, everyone! Well,
considering it’s that time of year again when everyone likes to break out
nostalgic annual classics, and turn their attention to new yearly offerings, a
few days ago, I lent my attention to The Book of Life (You didn’t think I’d see
something torturous like Annabelle or Quija, did you?), the new animated
feature from Reel FX Animation Studios. That very name may leave a sour
aftertaste to many a viewer, considering that they were behind last year’s
critical failure Free Birds (which I have actively avoided). However, with a
different creative team behind it, including Guillermo del Toro as a producer,
The Book of Life is a generally fantastic film, and one of the year’s most
dazzling treats.
Friday, October 31, 2014
Monday, October 6, 2014
Gone Girl movie review. (Spoilers!)
David Fincher is often regarded as one of the finest auteurs
of our generation, having been responsible for some truly dark and twisted
films such as Se7en, Zodiac, and The Girl with the Dragon Tattoo. So, when it
was announced that his latest film would be an adaptation of Gillian Flynn’s novel
Gone Girl, everyone was at once skeptical and intrigued.
I consider the book to be one of my favorites of all time. A
scathing examination of romanticism and media manipulation, the book lends
itself perfectly to Fincher’s stylistics. Much buzz and anticipation has been
spreading for this film, and let me just say this. If you’re a fan of Fincher
or of the original book, you likely won’t be disappointed. If not, results may
vary. From a personal standpoint, I consider this to be as perfect an
adaptation to such a great book as I could ever have hoped. Few films this year
have been nearly as gripping as this one.
However, this is a tough film to talk about without diving
into major spoiler territory. So because of this, if you
have not read the book, or seen the film, I’ll leave you with my thoughts that
it is a fantastic addition to David Fincher’s filmography, because for the purposes of this review, everything
beyond this point will be spoiling huge chunks of the story.
With that said, let’s begin…
Tuesday, September 30, 2014
Quick summer movie write-ups.
Hello, everyone! It's been a while since I've updated anything to my blog, as things have been busy. Well, I decided to take the time to get a few (very) quick write ups done of some summer films I've watched recently, or have held back on reviewing. Enjoy reading!
Sunday, August 31, 2014
The Best and Worst Films of the Summer - 2014.
That, as they say, is that. The summer movie season has
finally come to a close, and awards season is right around the corner with the
festival circuit in a couple weeks. However, before moving on to that time of
year, I’ve decided to add a new feature where I’ll be talking about the best
and worst films of the season.
For those who’ve been following my blog these last few
months, I’ve made no secret for how poorly this season started out, starting
with the disappointing releases of The Amazing Spider-Man 2 and Godzilla, but
in spite of that, the movies released in the following months were
progressively better. From How to Train Your Dragon 2 to Guardians of the
Galaxy, the quality of the films improved by leaps and bounds, and in one
unlikely instance, it has yielded one movie that has been near-unanimously
considered to be a masterpiece. That being Boyhood from Richard Linklater. In
comparison to last year, I consider it an improvement, and having yielded
several superior movies. The worst film of this summer isn’t even as bad as the
worst from last year, that being the utter failure The Lone Ranger.
So, now that that has been addressed, I’ll be doing my
ranking of the fourteen films I saw this summer. Please keep in mind that I
still haven’t gotten around to several big releases, namely X-Men, The Fault in
Our Stars, and 22 Jump Street (frankly, I couldn’t care less about movies like
Ninja Turtles or the latest Sin City), and I hope to get to those remaining
films as they become available on home video. With that said, let’s begin...
Saturday, August 23, 2014
Boyhood movie review.
Richard Linklater is perhaps best known for his Before
trilogy of Sunrise, Sunset, and Midnight, but one other thing he’s often
regarded for is that he’s an ambitious experimentalist. However, this is
something that, more often than not, unravels his features. Linklater, at least
to me, is a classic example of a man with stronger ideas than executions,
almost like a question that’s far more interesting than the actual answer.
One year after his fantastic Before Midnight, Linklater’s
back with another ambitious directorial effort, Boyhood. A project that was originally
conceived in 2002, Linklater would annually reunite with his cast and crew to
film snippets of footage for twelve years. It’s a stellar achievement on its
own, but one that threatens to be a gimmick. While the idea is highly original,
I never could shake my cynicism that critics were showering it with heaps of
praise (even declaring it a masterpiece) because of the idea more than the
execution. If the actual presentation isn’t good, that originality is for
naught.
In the end, though, this was one time where Linklater deserved
the benefit of the doubt, for Boyhood is the man’s best and most emotionally
engaging film yet.
Tuesday, August 19, 2014
Brief thoughts on The Expendables 3.
The summer movie season, though it started out rough, has
gotten better in the months following May. With the release of films like
Guardians of the Galaxy, Dawn of the Planet of the Apes, and especially How to
Train Your Dragon 2, it has showcased some spectacular films.
However, if there’s any one film that seemed likely to
disappoint, it was The Expendables 3, the latest chapter in Sylvester Stallone’s
series of greatest hits action stars under one roof. With so much off putting
press being spread of this movie, it’s no surprise that it’s turned out to be a
dud.
Sunday, August 17, 2014
Brief thoughts on Get On Up.
“GET UP OFFA THAT THING and DRIVE YOUR FUNKY SOUL to the
theaters” is something I’d be happy to say about Get On Up… if only it were a
better film than it actually is. Director Tate Taylor, following up his
terrific film The Help from three years ago, is back in action with this biopic
of the Godfather of funk and soul himself, James Brown. Being one of the most
recognized and cherished artists of all time, you’d think this combination with
Taylor would be ideal.
However, Get On Up is generally a
more mixed bag, filled with interesting tidbits not executed to their
fullest potential.
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