Saturday, September 9, 2017
And much like last August's The Dark Tower, it's been a long road to the big screen for his popular 1986 novel It, which many may know was previously adapted into the ABC miniseries starring Tim Curry. But from what I've heard from fans of the Les Miserables sized book, that series did little justice to the material, whittling down its content to fit cable regulations and a three hour timeslot. With fans becoming eager to see the story done justice, Warner Bros. has decided to split the epic story into two separate chapters covering two different timelines. So how does the new take float...?
Wednesday, August 9, 2017
But I doubt any of them has had as rocky a road as The Dark Tower, based on King's popular long-running series, centered around the everlong battle between gunslinger Roland of Eld, and the devilish sorcerer the Man in Black. After several attempts spanning well over a decade, the final film makes it way to the screen under Nikolaj Arcel and Imagine Entertainment, and the first of two King adaptations this year (with the reimagining of IT to release next month). Sadly, I'm left wishing that The Dark Tower's bumpy production didn't show.
Friday, August 4, 2017
Friday, July 21, 2017
So if any modern director seemed destined to create one, it had to be Christopher Nolan. Having already carved his name with epics the likes of The Dark Knight trilogy, showing he had a knack for full-scale explosive action and practicality, it seemed only a natural fit for one. But being such a cerebral-based filmmaker, the question still remained if his stylistics would truly blend with the traditional format. Yet while less scientific than his usual repertoire, heady it still remains, in very visceral, intentionally overwhelming ways, more of a thriller and suspenseful horror under the guise of a war movie.
Saturday, July 15, 2017
Cut to five years later, and in an attempt to keep the rights from reverting, as well as to copy the successful moves of his former owners at Marvel, decided to create their own expanded universe, leading to the apathetic Amazing Spider-Man that retread the familiar origin story, and the spectacular disaster of its sequel, not to mention laughable proposals like a spin-off with Sally Field's Aunt May as a secret agent. Having reached an agreement to share the character rights, Sony's partnership with Marvel finally allowed the beloved webhead to join the larger Marvel Cinematic Universe, first debuting the character in Civil War.
This seemed to be a move that indicated great things to come, especially since Tom Holland's Spidey made for a great scene-stealer in his limited screentime. But upon exiting Spider-Man: Homecoming, I can't help but feel my apathy resurfacing yet again. This is my first true disappointment of Marvel's otherwise highly enjoyable universe.
Friday, July 14, 2017
Cut to Dawn, when the film went even more ambitious and brutal, managing to make these "Animals" feel human, delivering on blockbuster excitement without sacrificing mood or character, even making the humans better defined in the meantime. Of course, both movies featured beautiful, lifelike motion-capture from Weta Digital, and outstanding central performances from Andy Serkis. Now with Dawn's seeds sewn for all out war between humans and apes, we join the clan once more for a no less suspenseful, rich, and poignant closer to the new trilogy.