The Nice Guys movie review.

The buddy cop subgenre was once one of the most popular trends in cinema, often allowing a film to be a great deal of fun due in no small part to the pairing up of two oddball personalities clashing with each other, and would tend to lead to hilarity because of it. For years, however, the mold has slowed down considerably in favor of superpowered heroics and the like, and aside from exceptions like 21 Jump Street has not been given much exposure beyond cute callbacks.

One of the key figures who helped define the mold was writer Shane Black, best known for jump starting the Lethal Weapon franchise, and who later turned to directing his own scripts with the 2005 cult hit Kiss Kiss, Bang Bang, a movie that I admittedly would not consider myself a fan of. However, it did showcase a particularly unique directorial vision that could have paid off with stronger execution, and I'm happy to say that his latest feature, The Nice Guys, does exactly that, perfecting all of Black's most notable stylistics as a writer and establishing himself as a comedic talent to be reckoned with.

"The Magic of Disney Animation" Retrospective - #13-15: Alice, Peter Pan, Lady/Tramp.

With the government relinquishing control back to Disney, and restrictions having been lifted as to what Walt could make, he soon turned his attention away from package films such as Make Mine Music and Melody Time, and returned the studio back to its whimsical, fairy tale roots with Cinderella. Still considered one of the crowning achievements of Walt’s time at the studio, it ushered in a new age of continuous successes. This gave Walt the opportunity to make the films he’d planned to make since teasing them in Pinocchio, which included Alice in Wonderland and Peter Pan. Even when Walt found himself drifting away from the feature film market to focus on his theme parks, and the planned EPCOT (which became its own theme park after his death), his presence was still felt in every film the company released.

My Top Ten Favorite Video Games of All Time...

Tomorrow will see the highly anticipated release of Naughty Dog's fourth Uncharted entry, so I thought now would be an appropriate time to say...

I love video games!

There's not a moment I can remember when I wasn't a gamer. Ever since my early days playing my SNES, I've played through multiple generations of games, played on a great number of shiny new systems, stared in awe at new technological innovations, watched the rise and fall of many prominent developers both mainstream and independent, and I've loved every minute of it.

The medium has come a very long way in its evolution, growing from the bare bones story of a plumber jumping over an ape's barrels, and hostile marketing campaigns where Sega took shots at former competitor Nintendo, mocking the SNES with the "Blast Processing" of the Genesis, and more and more the medium has crafted epic and cinematic tales that rival even Hollywood. It's actually funny how industry insiders and fans across the world try to debate whether cinema or television is the dominant artform, as I feel video games have managed to overtake both. This is largely due to one reason; the choice that games offer, and the further investment. It's one thing to watch a great movie or TV show and feel powerful emotions onscreen, but it's another thing entirely to take those same emotional responses, and enhance them by allowing you control of the situation, letting you experience all of those grand moments right alongside the playable characters.

But even then, the medium still has a long way to go. In recent years, a fierce debate has stirred up over whether video games can be considered high art. While many have embraced them for their powerful innovations and growing emphasis on thematics, others still see them as little more than time wasters. Or there are those who take all of the wrong examples from what the medium can do, and blow it out of proportion. Series like Grand Theft Auto and Call of Duty in particular have become all too easy targets to attack whenever fierce anti-gaming activists (including disgraced former lawyer Jack Thompson) need an example of how poisonous the medium is, and the violence they instill in youths. Right, because movies or TV or even the actions of older generations wouldn't have the same exact impact, and series like GTA and COD are only small pieces of the medium's bigger picture, which has developed into more thoughtful and powerful directions than those people would give it credit for.

The format may not always be perfect, and much like movies and TV shows, it will always have its share of utter failures and condescending efforts aimed at the lowest common denominator, but just like movies and TV shows, the good of what it can do will always outweigh the bad. The format continues to evolve every day, with more and more games paying greater attention to deep storytelling with great commentary. Whether or not you think video games are high art, take your side because the argument isn't going anywhere anytime soon.

And so, with all that addressed, I'm going to count down my favorite video games of all time. It's quite a hard list to narrow down considering all of the fantastic games that are out there, and some reportedly excellent titles that I sadly haven't gotten around to yet. There's more that I'm likely to discover that may make it on this list someday, but as it is right now, this is as confident as I'll ever be. But before we get to the main event, here are my top 10 honorable mentions.

"The Magic of Disney Animation" Retrospective - #10-12: Melody, Ichabod/Toad, Cinderella.

Part 2 of my April reviews.

The Huntsman: Winter's War movie review.

When Alice in Wonderland became a worldwide box office success, it set into motion the brief fad where classic fairy tales and literature were given largely revisionist treatments, giving the source material a darker edge. One of the most obvious examples was Universal's Snow White & the Huntsman, the second of the competing Snow White adaptations of 2012 (the other being Mirror Mirror). Though not a runaway success, Snow White was the more generally successful movie.

Much like Alice, it took the originally lighter and whimsical story and gave it a more Gothic edge. Much like Alice, its reception was generally mixed, though it was praised for its impressive technical pedigree. Also like Alice, in 2016, it sees the release of a sequel that absolutely no one was asking for, but we're getting it anyway. In other words, it's no surprise that The Huntsman: Winter's War turns out to be absolutely irrelevant by the end.

The Jungle Book movie review.

Another year, another live-action Disney offering remaking one of their classic animated features. Ever since Alice in Wonderland's success (with a sequel releasing in just over a month), the trend of remaking their most famous animated features as live-action reimaginings has quickly become ubiquitous under the house of mouse, and one that shows no sign of slowing down anytime soon.

One would be justified in growing annoyed by Disney's gung-ho attitude to keep going forward with it, but at least they seem to be learning from their previous mistakes, with 2015's Cinderella actually being a marked improvement over its animated counterpart. It was a start, that's for sure, and did manage to muster up some hope for Jon Favreau's retelling of Disney's retelling of Rudyard Kipling's original Mowgli stories... and if The Jungle Book is anything to go by, if Disney is to continue this trend indefinitely, let it be to this same level of quality, as this is by far their best foray into that realm yet.

"The Magic of Disney Animation" Retrospective - #7-9: 3 Caballeros, Music, Fun/Fancy Free.

With Snow White and Pinocchio making great success critically and commercially, Disney Animation Studios went from carton powerhouse to overall studio powerhouse. However, when World War II began, the studios finances weren't as high, one reason owed to decreasing sales in then Nazi occupied Europe. With animators within the company going on strike at the time, and others being drafted to serve in the war, the government later took hold, and required Walt to focus more on short films for the soldiers to watch, or if not shorts, package films that could be cut down into their individual segments.

Even after the government's hold on the company faded, and the war came to an end, Walt's finances had already been hit so hard that for the next few years, the only thing he had money to produce was more package films, and it wasn't until 1950 when he finally decided to risk it all on one ambitious project returning to the company's fairy tale roots.