When we first meet Riggan Thomson, the lead character of
Birdman, we see him contemplating his life decisions, wearing nothing but
briefs, as if to expose his deepest insecurities, but floating by some psychic power.
Is it really happening, or is it all hallucination. Is it the battle of
expectations vs. reality, and merely living fantasy?
In this single image, the perplexing tone is immediately set
for Birdman, the latest feature from director Alejandro Gonzalez Innaritu. A
step outside of Innaritu’s usual directorial style, which include films such as
Babel and Biutiful, the film played in major festivals and circuits around the
world, and has been universally praised as one of the best films of the year.
My answer to that: They’re absolutely right. In a year that
has been overloaded by sequels and reboots. Birdman stands comfortably among
the most wholly originally films of the year, and a career defining moment for
much of its cast and crew, a marriage of perfect craftsmanship and thematic
density.





