Newcomer Robert Eggers made quite the name for himself with The Witch, one in a string of intriguing low-budget horror fare from distributor A24. Regardless of *my* unimpressed thoughts on the film, I can't commend Eggers enough for the trend he helped set, migrating horror away from jump scare factories, in favor of richer, more eerie fare. As such, I'm sure most had high hopes for his follow-up film The Lighthouse, in which Eggers migrates to the psychological horror, covering the deterioration of two men in unwilling isolation, after their station is struck by a storm. The Lighthouse is certainly a film loaded with secrets of its own, one that, compared to Eggers' freshman effort, leaves me fascinated to spill its beans.
Tuesday, October 29, 2019
Sunday, October 13, 2019
Brief (conflicted) thoughts on Joker.
The Joker has long been the greatest enemy of Batman, the embodiment of chaos in its purest form. While conceptually a simple character, his methods of exploiting the fragile insanity of human nature, as well as his prevalence for anarchism, has made him an eternally iconic character for the ages, especially when brought to life by the likes of Mark Hamill, Heath Ledger, Jack Nicholson, and unfortunately Jared Leto. But away from Batman, is there a chance the Joker could stand on his own? If the latest incarnation is evidence, realized by Joaquin Phoenix, the possibility's certainly there.
Thursday, October 3, 2019
Brief thoughts on Abominable.
It's been a while since I've felt like writing anything. Why not now?
After taking an extended break, Dreamworks Animation returned strong earlier this year, concluding their How to Train Your Dragon saga. Such was a big film that the studio was hopeful for, given the company's string of unfortunate underperformers in recent memory, and now being under Universal ownership, and supervision by Illumination's Chris Meledandri. After that film performed so well, I'm sure the studio hoped that their follow-up, Abominable, would be able to as well.
I mean, it didn't... but it's the thought that counts.
After taking an extended break, Dreamworks Animation returned strong earlier this year, concluding their How to Train Your Dragon saga. Such was a big film that the studio was hopeful for, given the company's string of unfortunate underperformers in recent memory, and now being under Universal ownership, and supervision by Illumination's Chris Meledandri. After that film performed so well, I'm sure the studio hoped that their follow-up, Abominable, would be able to as well.
I mean, it didn't... but it's the thought that counts.
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